MEGA: a new concept in town
Integral to MEGA’s effect was its dialogue with diverse local, national, and international entities, amplifying the event’s resonance across multiple fronts. Collaborating with Frab’s Magazine, MEGA provided a dedicated corner for books and magazines, as well as a space for media partners to engage with the contemporary art showcased at the event.
A decontracted talk at the opening of MEGA 2024, in Milan © Laura Lati for artfairmag
Konig Gallery presented the works of French artist Johanna Dumet, including a diptych reminiscent of Matisse’s red studio. Dumet, known for her impulsive approach to painting, employs oil on canvas along with techniques such as gouache on paper affixed to canvas. Her works exude a sense of fluidity and spontaneity, intertwining abstract forms with bursts of vibrant color. Rather than fixating on details, Dumet offers a minimalist interpretation of her subjects, focusing on capturing essence over form.
Johanna Dumet, Quand Madame Irma n’est pas là, chapitre II, 2023, featured by KONIG Gallery at MEGA 2024 © KONIG Gallery
An intriguing addition was the cinematic ambiance of Stephen Buscemi’s (b. 1998) canvas, evoking a 1970s aesthetic. Through a meticulous process of layering from darkness to light, Buscemi crafts figurative paintings that show intimate moments with a hint of ambiguity. His portraits, often reflections of his own phantom painter self, blur the boundaries between reality and perception, inviting viewers into a realm of subtle intrigue.
Stephen Buscemi, Persuasion, 2024. Acrylic on linen. 36 x 48 cm. Courtesy Monti 8
The dynamic atmosphere of MEGA was further enhanced by a live concert by New Martini, a Milanese vintage soul band, adding a joyful ambiance to the Friday opening event.
Prices ranged from accessible to moderate, with notable sales including a vibrant Untitled big canvas by Giulia Messina presented by L.U.P.O gallery, “Trespass” by Preslav Kostov, and “Distant Lights” by Kai-Chun Chang, the latter entering the Collezione Scarzella
Preslav Kostov, Trespass, 2024, Oil on Linen, 120 x 150cm. © Studio West
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