1-54 Paris

1-54 Contemporary African Art Fair, the leading international art fair dedicated to contemporary art from Africa and the African diaspora, is delighted to announce its return to Paris, set to take place over four days from 7 – 10 April 2022. 1-54 Paris at Christie’s will take place in the auction house’s galleries at Avenue Matignon and will feature 23 international exhibitors presenting more than 50 artists from Africa and the African diaspora. Taking over more exhibition space and hosting a greater number of galleries, the fair will be a larger event than last year’s in Paris, with both VIP and public days to engage with new and existing audiences. The fair will also be accompanied by 1-54 Forum, the fair’s multi-disciplinary programme of talks, screenings, performances, workshops, and readings. Created by Touria El Glaoui, 1-54 also takes place in London, New York and Marrakech.

Lee Cavaliere

Touria El Glaoui shares her views!

Founding Director

1-54 Paris 2024

Location

9 avenue Matignon
75008 Paris
France

Dates

Not confirmed yet

Entrance Fee

General Admission: €21
Children Under 12: Free

Mediums

Painting
Sculpture
Drawing

Art Periods

Contemporary

Contact

info@1-54.com
Website

Ceramic Brussels

Insights 1-54 Paris

Lee Cavaliere

Touria El Glaoui

Founding Director

What would you say is the DNA of 1-54 Paris?

I wanted to give artists a platform for international visibility, so it was natural to choose a city that is known for being an international art hub. Both Paris and London have a strong connection to the continent, and I wanted the artists and galleries working within this space to get the recognition they deserve. The Paris fair coincides with Art Paris and PAD Paris, which means the collector base in the city is even larger and more international than it usually is, giving us a greater opportunity to engage with collectors.

What type of galleries are chosen to exhibit, and why?

1-54 works with a wide variety of galleries, so this really depends on who applies to our fair. Sometimes we work with emerging galleries, and other times we work with more established ones. However, we want to be a platform enabling younger and upcoming galleries from the continent and around the world to access the international art scene. To recall, our mission is to improve the representation of contemporary African Art in worldwide exhibitions.

What is the price range of pieces? Who is the average buyer?

The prices of pieces can range anywhere from EUR 3,500 to upwards of EUR 60,000. We’ve found that works valued in the EUR 1,000 to EUR 7,000 bracket in our first edition in London were valued in the EU 23,000 bracket back in 2019. Furthermore, several artists have seen an increase between 70-80%, such as Malian artists Aboulaye Konaté and Amadou Sanago and British-Trinidadian artist Zak Ové. There is certainly a rising interest in contemporary art from Africa and its diasporas. In the past ten years, scores of commercial galleries are opening new outposts on both the African continent and Europe, new major museums are opening on the African continent, major international galleries are collaborating with artists from the continent, and leading auctions houses are establishing specialised departments in contemporary African art. Contemporary African art is thriving more than ever. Today, our collector base is very broad and diversified, from young buyers who are just starting off their collections to more established collectors.

“We want to be a platform enabling younger and upcoming galleries from the continent and around the world to access the international art scene.”

VOLTA Basel

© 1-54

Who is the typical attendee of 1-54 Paris?

1-54 has consistently been the space for globally spread, international individuals to socialise and exchange.The fair is attended by collectors, students, researchers, cultural and artistic practitioners, art enthusiasts, and even families. The main underlying theme that joins all our attendees is that they all have an interest in artistic practices from Africa and its diaspora.

What strategy – physical as digital – will you adopt in the short to medium term?

Our strategy is to focus on our physical fairs, which are the most anticipated social events in the yearly calendar and allow like-minded people to meet. We cannot wait to go back to the continent with 1-54 Marrakech, especially after the fair has been cancelled for two years in a row. We very much look forward to reuniting with the vibrant artistic community there. However, we will continue to strengthen and expand our presence online to be able to reach wider audiences. This year we are pursuing our partnership with Artsy, allowing collectors to browse works online for each edition. Furthermore, we are very active on our social media, producing studio visits with unique artists, interviews with key players in the industry, and insightful market research.
To celebrate our 10th anniversary, we recently rebranded the design of our logo, in collaboration with design studio, TM, as we wanted to emphasise togetherness, unity, and the pride that we have for our continent. 1-54 takes its name from the 54 countries that make up the continent, and we feel that our new logo not only draws attention to our role as a unifier of many things — people, countries, cultures, and art forms — but reflects our ongoing mission to promote contemporary art from Africa and its diaspora.

What are two other art fairs you would suggest?

I would suggest Art Dubai and Art X Lagos.

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@miartmilano 2024! It was my very first time in miart and I think the fair stands by its reputation: European collectors should definitely attend. Hats off the artistic director Nicola Ricciardi 🎩 

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Highlighted pieces:
• @gretaschoedl at @richardsaltoungallery
• @waelshawky707 at @liarummagallery
• @julianschnabelstudio at Gian Enzo Sperone

Stunning @maliparmiofficial outfit found at @mercerbyedith 🙏

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